the apiary

Entries from March 2008

what will i be when i grow up?

March 27, 2008 · Leave a Comment

will i stay intriguing?

will i be too-young, and my friends will enjoy spending time with me but in their minds they will be shaking their heads and thinking she has never really grown up?

will i still make art? will i still think that when i’m older, when i’m older i will put it all together and i will make science and math and art and it will be good enough for people to want to see it, to want to know about it? will one passion eventually calm down and resign to second-place, to The Hobby, while the other is The Career?

i see people, i meet people, i find people who manage to weave their Interests together beautifully into one Idea, one thing that works.

when i grow up, i would like to be like kristen. i would like to be like amy k. i would like to be like amy s, and jenny, and heather a, and ariel. i’d like to be like cindy, and heather m, and holly.

i admire those people, and i wonder – are they too-young? do they stay intriguing? were they like me, a confused but adamant twenty-one year old girl unsure of her future?

is being Interested enough to be Interesting?

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best american nonrequired reading 2007

March 24, 2008 · Leave a Comment

“But this is not about guns. This is not a celebration of violence, nor is it a refutation of guns or violence. It is not that simple. Black boys, guns, anger. No matter the economic class of the boys, no matter the education, no matter the professional position — whether we move mops through hallways or carry briefcases through board- room doorways — we seldom lose that head-nod to another brother or that anger, caged and carried in spines, which skirts just below the skin, racing or prodding alongside blood. But this is not about anger either — at least not in the simple sense. There is no simple answer as to how a gun in my car became a primal summons.”

from “Ghost Children” by D. Winston Brown

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things i am buying with my paycheck

March 23, 2008 · 4 Comments

dwellstudio for target baroque duvet set

print gocco pg-5 set from wet paint art

what is mr. winkle? poster from mrwinkle.com


mouth print tee from generalcucumber

no time to fuck tee shirt from lochers

“positively buzzing” cards from dauphine press

“old timey tiley” wallpaper from naked & angry

“house” print by lucy vigrass

bronze antler necklace from missmouse

cardinal on agapanthus pillow from joom

“little sparrows” print from yumiyumi

xana plush from malota

jk… i’m actually just gonna pay my rent.

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dance hall dance hall

March 15, 2008 · Leave a Comment

instead of trying to put words together while some sort of apocalyptic construction is going on in the ceiling above my head, i’m just gonna paste some things in.

check out modest mouse in 1997

& some quotes from an onion a.v. club interview

O: You’ve written lyrics that reference both science and God. Do you believe in science as a replacement for religion, or an adjunct? How do the two things fit together in your mind?

IB: I don’t believe in science, either! I don’t think it exists. [Laughs.] I toy around with the whole Biblical thing, just as amazing characters. What I’ve read, in terms of the Bible and shit, is that Satan’s this super-charming guy who’ll come off sweet as sugar, and that if you run into him, he’ll try and fool you into thinking he’s God. From all of that, wouldn’t that probably make God the devil, if he’s such a good liar? I can’t think of any really horrendous shit that’s been caused by the character Satan, but man, God’s got quite a few smitings under his belt. But science, science is great. I love science. With any luck, it’ll save us all.


O: The band’s live reputation used to be sharply divided, with audiences in for either something amazing or a drunken mess.

IB: There’s the whole idea of knowing how much you can drink before you play. There was a certain point where I realized that these folks showing up for the shows paid money, and not to see me get fucking drunk. The collective amount of time and energy and money put in to coming out to see us play—no one deserves to have to see a drunk dude. They can buy their friends beer and watch them get drunk for much cheaper.

O: Are you the kind of songwriter who’ll be compelled to write forever, or do you think it’s something you’ll hang up someday?

IB: I hope I’m doing it, but I’m not going to be pissed if I’m not. There’s other shit I want to do. If I find myself just not feeling like writing songs anymore, I think I’ll drop it. There’s enough bad, insincere music out there. I don’t need to contribute to that.

amen, isaac.

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the only dutch word i say on a regular basis

March 12, 2008 · Leave a Comment

well, i already lose at posting every day and i’m p.l.u.m. tuckered. i spent a couple hours last night sketching for a scherenschnitte… i think every time i start a new one i spend more time on it. i wish i were correspondingly satisfied with the endproducts. as soon as digital camera device (temporary RIP) is alive and with me again, maybe i’ll try to make an effort to post pictures (we all know that’s a big maybe).

okay, okay. what the hell is scherenschnitte?

*image by cindy, the queen of papercutting bloggers

since wikipedia is lacking on this one, i’ll try my best. scherenschnitte (german for “scissor cuts”) is the art of papercutting. papercutting originated in china with the invention of paper. as a folk art, scherenschnitte was founded in switzerland and germany in the 16th century (hans christian andersen illustrated with papercuts) and became popular in the wildly exciting lives of 19th-century germans. the pennsylvania dutch brought it over to the states, and a couple hundred years later, in a desolate period of unemployment and sorrow, an angela’s small heart grew with its discovery.

  • tord boontje is a dutch artist who makes ridiculously intricate 2d, 3d, and whole-room installation papercuts
  • chris natrop is based in LA and also does 2d and 3d work as well as installations
  • nikki mcclure’s illustrations look like woodcuts, which i think testifies to their great organic quality
  • peter callesen’s works are more sculpture than papercut – he combines cutting and origami into 3d pieces.

…and now, i’m off to pick up my printed grad announcements and ink, stamp, and adhere to my tiny heart’s content!

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where i’m from

March 10, 2008 · 3 Comments

i never quite know how to respond when someone, at a bar or a friend’s apartment or in my own living room, throws out the inevitable “so where are you from?”

this really shouldn’t be an overwhelming query, i know. in fact, i’m likely to ask the same thing. it’s a normal thing to ask. i can’t hold it against the asker. but i always do, just a little bit.

mostly, i guess i’m just lazy. i don’t want to figure it out. do they want to know where i live in boston? where i went to college? where i went to high school? where i was born? do they want to know where i spend the majority of my formative years, or where most of my closest friends reside, or where i’ve spend the most money on rent for shitty apartments? do they want to know where my dog lives, where my cat lives, where my books live, or where my shoes live?

there are always the cop-out answers: “my family lives in north carolina, but i’m originally from illinois.” “i just graduated from BU, but i lived in north carolina for a few years beforehand.” and the concise, though slightly shameful answer: “allston.”

i know this is my issue, and not theirs. i know no one wants an extended biography. i pity the rare asker who gives me enough time to allow “well, i was born in bumfuck illinois, then moved to north carolina, then back to bumfuck, back to the dirty south, then to boston to a dorm resembling (more than anything else) a women’s prison, then allston, then deeper into allston, and soon somewhere preferably NOT in allston.”

this is one of the rare times that i envy people who spent the first eighteen years of their lives in the same house. i remember being surprised and a bit terrified when i realized, sometime in my early teen years, that most of the kids i went to school with had lived in the same place their entire lives. that’s boring. and i’m glad my parents subjected me to a few good moves. but it must be nice sometimes to identify solidly with one place.

but, as it is, i’m a dirty mutt. swedish, italian, and a little bit of everything western european (with my complexion a nice non-regional mix of all of the above); born in the midwest, bred on the atlantic seaboard, brained in new england; future locations & shenanigans unknown.

now, you may say, step back just a second. where exactly is bumfuck illinois?

and the answer is this.

area: 10.7 square miles

population: a surprising 20,151

per capita income: $23,210

renowned residents include orson welles (who attended the Todd School for Boys and put on productions in the very same old opera house where i took improv courses), chester gould (creator of dick tracy, whose “painstakingly restored” farmhouse was the very same where i spent ages 8-10), and lynn stewart (the cofounder of hooters). (yeah, i linked to hooters. don’t pretend you don’t want to read detailed articles about hooters’ girls skincare)

inarguably, the most important thing to happen in woodstock was the majority of the filming of groundhog day. remember the curb where bill murray kept stepping into the puddle? yeah, there’s a plaque on that curb. in fact, woodstock now has its own faux-puxsutawney phil, dubbed woodstock willie. woodstock loves groundhog day so much, they celebrate it for a week. probably the only holidays more important than groundhog day are the mchenry county fair and the nearby harvard milk days.

i salute you, woodstock. nowhere else would an entire week be dedicated to 1993 film in which a guy kidnaps a marmot and spends ten years killing himself.

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hello world

March 8, 2008 · Leave a Comment

testing one.. two… three…

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